The Magic Café
Username:
Password:
[ Lost Password ]
  [ Forgot Username ]
The Magic Cafe Forum Index :: Right or Wrong? :: Ethics (0 Likes) Printer Friendly Version

Good to here.
 Go to page [Previous]  1~2~3
C. Loubard
View Profile
Special user
615 Posts

Profile of C. Loubard
Gsidhe, you backed yourself into a corner.

Obviously, if they didn't invent them, yet are making them, without credit or profit to the inventor, IT IS THE SAME THING!

C. Loubard
Jonathan Townsend
View Profile
Eternal Order
Ossining, NY
27306 Posts

Profile of Jonathan Townsend
Perhaps those vendors are the assigned delegates given permission by the inventors?
...to all the coins I've dropped here
C. Loubard
View Profile
Special user
615 Posts

Profile of C. Loubard
Jonathan, very true, I agree 100%.

If that is the case, however, we are right back where we started. Why is someone tipping a way to make the stuff on "Howie Diddits", instead of buying the original item?
Acecardician
View Profile
Inner circle
New Orleans
1391 Posts

Profile of Acecardician
Remember: David Ginn had Jumbo snake wands come out of a can or something. I saw this performed once about 20 years ago and loved it. If he does not make it anymore or I cannot get one, Can I make one?
Answer: I think I should write for his permission.

Does anyone know where I can get one or has one for sale? I already have Barry's, and it does not hold a candle to it, I never even used it.

What about the Paul Curry's "linked" which is re-created with a very expensive box? Did the new creator get permission? I don't know. I wrote him and asked, and he never answered me. Can I contract a carpenter to make one for me?
And the Square knot can be bought for $2.50 from a popular magic dealer. Now it is out(improved for about %35.00.) Still no answer.

I just inherited 5 boxes of old magic from my mentor. Can I improve some of these and market them as improvements?

I like the answer someone gave above, because I am not known, I will get fussed at. If I was famous, then I would be pat on the back.

In real life, I don't care to bother, I do over 300 shows a year, and have better things to do with my time off. And since I am working, I can afford to buy originals, or whatever I want. I just question the originality of a couple of the above effects.

ACE
Bob Sanders
View Profile
1945 - 2024
Magic Valley Ranch, Clanton, Alabama
20504 Posts

Profile of Bob Sanders
A topic related to this a while back is:

http://www.themagiccafe.com/forums/viewt......forum=44

Perhaps merging these some way would help.

Bob Sanders
Magic By Sander
Bob Sanders

Magic By Sander / The Amazed Wiz

AmazedWiz@Yahoo.com
JackScratch
View Profile
Inner circle
2151 Posts

Profile of JackScratch
Quote:
On 2006-12-20 22:53, Bob Kohler wrote:
Actually I think it's fairly easy to decide for yourself what's ethical and what's not. Ask yourself simple questions.
1) Did I come up with, invent or create the idea independently.
2) Would I have come up with the idea, concept, patter, prop or product if I hadn't seen it done, heard about it from a friend, puzzled out a ad or watched a video clip a million times.
3) In my heart do I think what I'm doing is right.



I don't disagree with this Bob, but I think you've left out the concept of public domain. Things which fall outside even the conceptual copyright concept. Now I know that a lot of magic concepts can not be legaly copyrighted, but I find that if you apply the concept of copyright/pattent to magic concepts, as though it were possible. You get a pretty good guideline. A fine example would be a product which has existed long enough that, were it patentable/copyrightable, said patent/copyright would have long since expired. I do not feel the slightest twinge of guilt creating, using, or marketing a product which falls very comfortably into this catagory, nor do I feel anyone else should either.

Example, Svengalli. The Svengalli goes back to the Victorian erra, perhaps farther. Svengalli routines can be found in works of literature from that period. There is no copyright or patent which would cover something from that far back. Therefor I do not feel the slightest bit compelled to pay anyone for any routine I find in such a work. Nor do I feel the least bit bad about making and selling my own Svengalli decks. I wouldn't, on the other hand, feel right about using, printing, or selling a Svengalli routine which I had no evidence was anything but original to a modern artist.
Bob Sanders
View Profile
1945 - 2024
Magic Valley Ranch, Clanton, Alabama
20504 Posts

Profile of Bob Sanders
We don't disagree. It is still the duty of the holder of rights to intellectual property to prove his claim to the rights. Documentation is a normally accepted method. However, documentation that the use existed prior to the lifetime of the current claimer is deadly! Life plus 70 years is about as good as it gets for claiming any rights. (That happened due to the good works of Sonny Bono in Congress. Even that is relatively new.)

A different application of a known work is hard to defend as violations of a property right. Otherwise, jet flight, binary coded hexadecimal and calling cattle would still be the exclusive rights of certain Australians.

Dove and silk magic would only be available in the Far East. Production of bottles of wine would be European only.

Much of the magic done today predates Marco Polo.

Bob Sanders
Magic By Sander
Bob Sanders

Magic By Sander / The Amazed Wiz

AmazedWiz@Yahoo.com
Jonathan Townsend
View Profile
Eternal Order
Ossining, NY
27306 Posts

Profile of Jonathan Townsend
Bob, there seems to be some base level conflict over the notion of IP in magicdom. The very idea of IP in magic sits between some pairs of opposing interests; commerce vs individual artistic expression. And also between the sense of clever some have in figuring things out vs the feeling of "do as you please" novices might get when first exposed to the arts.
...to all the coins I've dropped here
JackScratch
View Profile
Inner circle
2151 Posts

Profile of JackScratch
Quote:
On 2007-01-21 17:54, Bob Sanders wrote:

We don't disagree. It is still the duty of the holder of rights to intellectual property to prove his claim to the rights. Documentation is a normally accepted method. However, documentation that the use existed prior to the lifetime of the current claimer is deadly! Life plus 70 years is about as good as it gets for claiming any rights. (That happened due to the good works of Sonny Bono in Congress. Even that is relatively new.)

A different application of a known work is hard to defend as violations of a property right. Otherwise, jet flight, binary coded hexadecimal and calling cattle would still be the exclusive rights of certain Australians.

Dove and silk magic would only be available in the Far East. Production of bottles of wine would be European only.

Much of the magic done today predates Marco Polo.

Bob Sanders
Magic By Sander



I only disagree with this on the issue of defense. There are no laws defending IP in the US today. As such, people realy have no options at their disposal. As such, I feel ethicly bound, and think it is a good guideline as well, to do a minimal ammount of research before I use IP in what might be a questionable manner, eg. selling/marketing. It's pretty simple, if you can't find any public domaiam material on a subject, then perhaps it would be best to assume that it is original to the source where you encountered it.
Jonathan Townsend
View Profile
Eternal Order
Ossining, NY
27306 Posts

Profile of Jonathan Townsend
Drew, there are plenty of things in magic which are NOT public domain yet very well know and treated as PRIVATE and NOT FOR COPYING.

Consider Michael Weber's ring and crackerjack box trick. Or his hungry dollar bill.
...to all the coins I've dropped here
Bob Sanders
View Profile
1945 - 2024
Magic Valley Ranch, Clanton, Alabama
20504 Posts

Profile of Bob Sanders
I agree that to knowingly take another's creation without permission or compensation is simply wrong. Unfortuantely, we also have too many who claim they invented air and water. They certainly don't deserve any protection. We need a fair balance. How do you achieve that?

Bob Sanders
Magic By Sander
Bob Sanders

Magic By Sander / The Amazed Wiz

AmazedWiz@Yahoo.com
Jonathan Townsend
View Profile
Eternal Order
Ossining, NY
27306 Posts

Profile of Jonathan Townsend
If we start by not buying from those who have taken and who claim a right to take, we are doing something useful. From there, given that some are willing to sell what they take... it might be useful to stay away from them. After all, what's fame worth in a den of copyists, and what possible artistic or personal merrit could one claim for any item in a market full of stolen goods?
...to all the coins I've dropped here
Bob Sanders
View Profile
1945 - 2024
Magic Valley Ranch, Clanton, Alabama
20504 Posts

Profile of Bob Sanders
The ones who really wind my clock are the ones who claim to have invented tricks that are hundreds of years old.

Protecting someone's routine or truly new invention is logical.

Bob Sanders
Magic By Sander
Bob Sanders

Magic By Sander / The Amazed Wiz

AmazedWiz@Yahoo.com
JesterMan
View Profile
Veteran user
Maryland, USA
319 Posts

Profile of JesterMan
Quote:
On 2006-12-21 14:40, chosengeneration wrote:Brian,
". . .I found inspiration in your product. . .".Mike

The answer to the specific question at the start is right here. If his effect is what inspired you (in other words, that is where you got the idea), and you plan on using it in the same way, then, ethically, IMHO you really should buy his. Thanks for starting the topic. While some arguments went a bit outside the lines, some very good points were made.
JM Smile Smile

Balloons, Magic, Mayhem & More!
www.AArdvarkEntertainers.com
www.JesterMan.com

"... destined to take the place of the MudShark in your mythology... " FZ