On 2013-05-26 20:49, crozboz wrote:
Amira - you put a question mark at the end, but it reads like a statement.

It's nothing like Volpe's, and as far as I know he bought Reveal at Blackpool. He's also saying nice things about it.

It's a great clever peek. Not my kind of thing, but if I did mentalism at all I could see myself using it in an heartbeat.

On 2013-05-26 20:27, ChrisWall wrote:
It is different to my knowledge. I don't want to say too much about it but it doesn't work in the same way as Riggs clipboards or others like Riggs'.

It is excellent, very clear and very deceptive and great for parlour and smaller stages. No e**ct*****s to go wrong and is probably the most reliable way of gathering information that's drawn or written on a large source I've came across.

The included kit is very nice and gives you all you need to get started right away. The boards are specially made for this effect and I think the blurb says it all "It is impossible for it to break or wear-out." You don't need to refill or replace anything once you own this you're set for life.

Great release from Vanishing Inc. (they've also reprinted his book too which is well worth a look.)

Chris.

On 2013-05-26 21:26, takeachance wrote:

Quote:

On 2013-05-26 20:27, ChrisWall wrote:
It is different to my knowledge. I don't want to say too much about it but it doesn't work in the same way as Riggs clipboards or others like Riggs'.

It is excellent, very clear and very deceptive and great for parlour and smaller stages. No e**ct*****s to go wrong and is probably the most reliable way of gathering information that's drawn or written on a large source I've came across.

The included kit is very nice and gives you all you need to get started right away. The boards are specially made for this effect and I think the blurb says it all "It is impossible for it to break or wear-out." You don't need to refill or replace anything once you own this you're set for life.

Great release from Vanishing Inc. (they've also reprinted his book too which is well worth a look.)

Chris.

Many thanks for taking the time to answer my questions mate

cheers

On 2013-05-26 17:39, Peter_turner wrote:
Hi Guys, thought I would give you the heads up on this, its amazing!

It fooled me completely when I saw it performed, I saw this in roulette and I instantly fell for it.

Get it!!

http://www.vanishingincmagic.com/magic/m......sRawlins

Pete x

On 2013-05-27 05:48, Gideon wrote:
Is that the same clipboard that Chris discribes in his book "Roulette" under the title "Clipboard Peek"?

On 2013-05-27 05:52, Caliban wrote:
A few people have recommended this for parlour or "small" cabaret. Is there any reason it wouldn't be suitable for a big stage? I can see that the spectator's drawing wouldn't be big enough to display to a huge audience - but assuming you're doing a routine where the audience don't need to see the spectator's drawing/writing, would it work just as well in a theatre?